Copycat

Looking at your reference upside down is the next exercise in "Drawing Right." I admired Juliana Coles' self-portrait the current CPS pictured below. That cowgirl's got skills, y'all. See more in her etsy store.

I followed it loosely and this is my result.

Not a great facsimile, I gave mine curly hair and made a couple other edits - some intentional. On the whole, it doesn't stink. I think my portrait looks a little like Linda Hamilton in T2, you know, when she had the killer biceps?

Drawing on the Right Side of the Brain

Didn't know I'd been drawing on the wrong side, but I have. I am packing up and moving out of the left side of my noodle in an effort to improve my drawing skills.

I have reached a point in my art where I want to express things that I don't have the ability to accomplish, so I've decided to take a drawing class. The class starts in September and is for Intermediate to Advanced drawers. I have never taken drawing, so I tapped Betsy and asked her what I should do to prepare. She suggested Drawing on the Right Side of the Brain by Betty Edwards.

I got the book last night and am very impressed with the approach, now over forty years old, but it's new to me. Here are two before and after self portraits of students of Betty's -- the before completed before instruction (5 day intensive, 8 hours a day) and the after on the end of the fifth day. Remarkable. Even better than a Proactive ad.

See more gallery pictures here.

The book recommends that you complete three drawings before beginning the study to benchmark your current skills: your hand (non dominant as model), a self portrait, and a person from memory - no visual reference. I have completed two of the three and have posted them here. I hope to see the dramatic results the two students above accomplished. We'll see.

I've never really tried a self-portrait and was a little surprised that this one came out as well as it did. I am pretty happy with the nose. The eyes are too big, the irises too. I look like one of the victims of that plague in the X Files movie, or like this baby, only grown up.

Reese and I went to APS for orientation today. So exciting! More on that later.

For those of you keeping count, only 5 more posts till the bicentennial blowout.

Extra! Extra! Get your Embellishments!

If you aren't a subscriber to Cloth Paper Scissors' free e-newsletter, you can sign up for Embellishments here.

Today's mailing is of particular interest, pasted below for your viewing pleasure, as well as my own self-serving purposes.

Pre-order now & Save!
Mixed-Media Self-Portraits and Mixed Mania

We're publishing two new mixed-media books this fall, and you're invited to preview them and pre-order now at a special savings. We're publishing two new mixed-media books this fall, and you're invited to preview them and pre-order now at a special savings.

Mixed-Media Self-PortraitsInspiration & Techniques
By Cate Coulacos Prato

Filled to the brim with a wealth of inspiration, creative prompts, techniques and compelling artwork, from many of your favorite artists, this book is an artistic guide to representing the self creatively in mixed-media, featuring a range from art quilts and assemblage to art dolls and collage. Makers of all skill levels and media--collage, mixed media, art quilt, paper craft, and book arts--will enjoy the focus on this very popular art form.

Click here to pre-order Cate's book.




Mixed Mania: Recipes for Delicious Mixed Media Creations
By Debbi Crane and Cheryl Prater

Frequent Cloth Paper Scissors contributors Debbi Crane and Cheryl Prater have whipped up this book featuring 20-plus smart and sassy projects divided like a cookbook into appetizers, main courses, and sweet treats for a fresh perspective on creating mixed-media projects. From artist books to assemblage, art quilts to art dolls, it's all here, plus how-to instructions on a variety of mixed-media, collage, and surface design techniques.

Click here to pre-order our book. Click it, you know you want to.

The Quilting Arts Book
by Patricia Bolton

This is Art Quilting 101 in a book! Patricia Bolton, founder and editor-in-chief of Quilting Arts Magazine, has assembled some of the most popular topics, articles, and artists from past issues of Quilting Arts Magazine--plus innovative new techniques offered by today's most respected contemporary quilt artists--in this definitive art-quilting technique and inspiration book.

Click here to pre-order Pokey's new book.

I am rapidly closing in on 200 posts. The prize? An autographed copy of.....wait for it.......Mixed Mania! Signed by BOTH authors. OoooooOoooooooooo.

Get ready to stop lurking and start commenting.

And you thought a pasta machine was weird?

Susan Rostow and William Jung, the creators of Akua ink, used a steamroller. Really. Just think of the size of the ravioli you could get with that thing.

Check out the slide show, even their son Jarrett got in on this collaborative print - with his skateboard.

Pasta Prints

I am still experimenting making lino cut prints on my pasta machine. I am getting the hang of carving the lino and really having fun doing it. The Akua is awesome. The pasta machine is proving to be heck on the carvings, though.

Linos are a bit tricky to ink up. It's easy to over ink or under ink the block, so I have to do a lot of pulls to get a few decent prints with my make-shift printer. The problem is that after about 20 or 30 pulls, the lino is breaking down.

Because the pasta machine only opens so wide, I can't put in a kind of "printing bed" that would keep the block flat as I crank it through and as a result I think there's too much torque on the block. (Or maybe my lino is just too al dente?) The samples below were all printed on different types of paper, which accounts for some of the differences, but take a look at what I mean:

This is an early pull. A proof to see if the block needed more cutting and if I liked the border I left as a frame. I knew I wanted to clean up the carving around the cloud and thought that the lino may feed more easily if the border were removed.

Ok, this second example is mostly over inked and a patch under inked on the far right. This print is showing the stress fractures I was talking about. Look at the base of the ear on the right, the wrinkles around either eye, the X on his sweater is starting to crack. Bummer. I really liked this carving, too.

Here's the final example in our forensic study. The hairline (hare-line?) cracks are much more pronounced. I have some ghosting in the cloud from where the paper probably shifted mid-print. Back to the drawing board.

Possible solutions I am toying with:

• Using a different kind of lino? The kind I'm using is softer than the traditional battleship gray variety.
• Printing on Japanese paper and using a baren instead of a noodle maker.
• Buying a scratch-off lotto ticket, winning millions and purchasing a press
• Joining the APS.

There are a lot of talented printmakers who work at the Atlanta Printmakers Studio that I would love to ink up next to. Check out Laura Bell's lovely, lovely work as well as Marie Weaver's gorgeous prints. I want to party with those chicks.

On the Menu: Intaglio with Akua

No, Itaglio is not a fancy noodle and Akua is not some exotic fish, but if you are interested in trying your hand at printmaking (and who isn't, I mean that's what Mixed Media is about, right? We do it because we have short attentions spans and like new new new!) Here's the recipe for setting up your own little print shop at home.

First you'll need a press, they're pricey and take up a lot of space, but a pasta machine is an inexpensive way to dip your toe in the ink. You can print acrylic drypoint etchings and lino cuts about the size of an ATC very easily on a cheapie-Charlie noodle maker.

Now you need ink, right? Oil based is the standard among printmakers. But Cher, you say, I'm lazy and messy and afraid of solvents. Me too, but check it, baby:

Last week, I was having so much fun mixing colors and printing at Arrowmont, it made me want to experiment with printmaking at home. "Why can't someone make a water based ink?" I lamented aloud. (Shocking, as usually I don't say what's on my mind.)

"Someone does." said Diane Fine, my printmaking instructor. She told me about Akua water based inks, but they sounded too good to be true. I had to try them as soon as I got home. I googled Akua and Susan, of Rostow and Jung fame, hooked me up! Thanks, Susan! I received my box of goodies and got to carvin lino.

The colors are deep and gorgeous, clean up is a breeze, and best of all, they are virtually odorless which is great news if you get headaches from prolonged exposure to solvent based inks (Debbi). The inks are so smooth and rich. You can't believe they aren't oil based until you go to wash up.

You can buy Akua here.

I printed this bird in two colors, Red Oxide and the Phthalo Blue. And if mine look this good, imagine what a really great carving would look like. Now go order some Akua and get cooking!

ps Here's my weekly art. A Blue Beazle Bunny. Who cares, I'd rather be printing. : )

Dead Bird Knitting

If you've been reading my blog or Debbi's for the last few days, you may be curious about some of the comments and allusions to dead birds. I'll let you all in on the inspiration for this as well as those remarks. A picture is worth a thousand words, and in some cases inducement for waking up screaming in the middle of the night, so here you go:

While at Arrowmont, one of the instructors showed a slide of an installation by an artist that had inspired her. It was the above: "Boarders at Rest (Le Repos des pensionnaires), 1971-72. Taxidermized birds and wool, each approximately 4 3/4 x 4 x 1 1/4 inches" by French artist Annette Messager. View more fodder for your nightmares here.

Re-Entry

Back to real life after a wonderful week with Debbi and Lori at Arrowmont. In addition to checking myself in to self-imposed food rehab (we were spoiled with homemade hummus, farm fresh tomatoes and various fabulous baked goods and desserts including Chocolate Macaroons! Y'all know how I feel about macaroons) I have to get back in the habit of doing things like going to work and wearing a bra and making eye contact with my kids.

I borrowed these pix of the campus from Lynette Andreasen, a lovely young woman who is blogging about her experiences at our favorite oasis in the Smokies. Above you see the Red Barn, we stayed in what used to be the hayloft.

Here's the Staff House where we took our fantastic meals, made all the better because I didn't have to plan them, cook them or do the dishes. Did I mention the Chocolate Buttermilk Cake? Oh yeah, and we made artsy stuff in between feasts.

Our instructor and world-class storyteller, Diane Fine, led us in collaborative printmaking and bookbinding. The "opus magnum" was our Roy G Biv Accordion Book. There were four of us in the class and each was assigned a part of the color spectrum. We printed a whole bunch of monotypes in various shades of our color and then swapped them with each other so each of us had a rainbow of prints when the book was unfurled.

I had the reds.

Debbi had Orange/Yellow.

Jane had Greens.

Emma had Blue/Violet.

So after the swap, I had four of each to put in my book. Aren't they beautiful?

Here's a detail of a completed book.

You can open these accordion books and arrange them into sculptures.

We also made collaborative pamphlet books with the linos we cut.

Jill Greene, photog extraordinaire, was kind enough to take our picture for The Book, which reminds me, you can look inside and get the flavor of Mixed Mania due out Nov 2008 here. Look, there are the authors now! Unretouched photo, we're really that adorable. Debbi is wearing a glass pendant necklace she purchased at Arrowcraft.

Be sure to virtually check out Vintage Cate's book too, Mixed Media Self Portraits.

And finally, here's my weekly art

Dead Bird in Blue Sweater
It's a long story.

Live Blogging from Arrowmont

Well, I'm here and having a great time with Debbi and Lori and lots of innocent bystanders. I just wanted to let y'all know I'm here safe and sound even though "them Google people caint tell die-rections."

It is a little know fact that "Arrowmont" is the Cherokee word for "molten lava." The term originates from the days when Native Americans would do crafts such as basket weaving and oil painting before retiring to a sweat lodge for the evening.

Maybe you saw it on The Weather Channel? It was approximately 67000 degrees Calvin on the second floor of the Red Barn yesterday. It is cooler today and we have moved to a different room. Thankfully, this one is much more comfortable as it is only a bit warmer than the surface of the sun. I've sweat off seven pounds while cleansing my system of dangerous toxins! Just two of the many benefits of sleep away art camp.

More later, it's kinda hard typing when your left index finger has been violently stabbed with a #3 lino cutting blade (bandages are included in the lab fee). Besides, I can't run the laptop and the box fan at the same time without causing a brown out in Pigeon Forge.

Beazle-Bots

Each lives on their own asteroid like Le Petit Prince on B612.

Maybe I should have called them B612-Bots?